This Goonies film location is where the exterior Lighthouse Lounge scenes were shot. Filmed in Ecola State Park, which is 2 miles north of Cannon Beach, the Lighthouse Lounge is where the Goonies meet the Fratellis, get locked in the basement, and escape through the tunnel.

The restaurant exterior was built by the film crew around an existing park shelter.

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This Goonies film location is where Chunk sees the Fratelli's truck chased by police cars, smears his pizza on the window, and shoots the milkshake on his face.

The place has been remodeled, but the view from the window is the same.

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This Goonies film location is known as The Flavel House, and is also the site of the Clatsop County Historical Society.

This is where Mikey's dad is working the flag pole as the Goonies cruise by on their bikes, and they say hello to each other.

The Goonies was released on June 9, 1985, and made $9,105,913 its first weekend.

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Paul McCarney's childhood home is located at 20 Forthlin Road in Liverpool, Merseyside, England.

Built by the local authority, the McCartney family moved into the house in 1955. Paul McCartney bought his father a home in 1965 in the Wirral.

Owned by the National Trust, they market the home as "the birthplace of the Beatles" since their earliest practicing and song-writing occurred here.

Unlike Lennon's home, this location does not a blue plaque from English Heritage because the figure has not ""been dead for 20 years, or passed the centenary of their birth".

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On Jul 25, 1965, Bob Dylan went electric at the Newport Folk Festival in Newport, Rhode Island. Dylan had drawn widespread support from fans for his 1963 and 1964 Newport Folk Festival sets with Joan Baez.

In 1965, Dylan was supporting his fifth studio album, Bringing It All Back Home. The first side of the album was Bob Dylan's signature acoustic folk style; the second side of this album featured a backing band and was rock. When Dylan walked on stage with an electric guitar and a band, the boos started immediately.

The band launched into "Maggie's Farm," and the distaste from the folkies was immediate. Boos and jeering rolled out from the crowd. Pete Seeger wanted to take an axe to the power cables to the set.

The debate still exists whether the audience was angry about the short set or angry that Dylan had betrayed folk and played electric, but the results were the same- they were pissed, and Dylan had gone rock.

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