popturf

city: new york

“i’m waiting for the man” intersection

from the velvet underground posted in music by ratsnamgod

"I'm waiting for my man /
Twenty-six dollars in my hand /
Up to Lexington, 125 /
Feel sick and dirty, more dead than alive /
I'm waiting for my man"

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cafe wha?

from bob dylan, jimi hendrix, david lee roth posted in music by tacopolis

In 1959, Manny Roth laid down some marble floor and spray-painted the walls black in this basement venue that had been a horse stable. The idea was to have a place for the beatnik crowd to enjoy.

Roth held "hootenanny" nights where anyone could perform a song. It was on Jan. 24, 1961 that a 19-year-old Bob Dylan played his first NYC set, consisting of several Woody Guthrie tunes. At the end of the set, Roth asked the crowd if anybody had a couch Dylan could sleep on (he had just hitch-hiked from Minnesota).

Jimi Hendrix used to play at Cafe Wha? in the mid-60s when he called himself Jimmy James and fronted The Blue Flames.

Manuel "Manny" Lee Roth is the uncle of Van Halen frontman David Lee Roth. Manny Roth passed away on July 25, 2014 at the age of 94.

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gerde’s folk city (former)

from bob dylan, joan baez posted in music by tacopolis

Gerde's Folk City (or Gerdes) was one of the pivotal music venues for the folk music revival of the early 60s, and continued to feature many breaking musicians and bands until the lease was not renewed in 1987.

Originally located at this address, the venue moved to 130 West 3rd Street in 1970.

It was at this location, that Bob Dylan played his first professional gig supporting John Lee Hooker on April 11, 1961.

Dylan's performance at Gerde's on September 29, 1961 was reviewed in the New York Times by Robert Shelton, after which Dylan's career catapulted.

Gerde's is also the place where Dylan first met Joan Baez, and where he first played "Blowin' in the Wind" in a public performance.

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avatar studios

from bob dylan posted in music by tacopolis

Originally built as a Consolidated Edison power plant, this building became The Power Station recording studio in 1977 under the direction of producers Tony Bongiovi and Bob Walters. The result is an award-winning recording space used by scores of musicians and bands. In 1996, the studio was renamed Avatar Studios.

Bob Dylan's 1983 album Infidels was recorded at The Power Station from April–May, 1983. Dylan needed someone with experience with new recording techniques, so Dire Straits frontman Mark Knopfler was selected to produce the album. Additional musicians include the Jamaican reggae rhythm section of Sly & Robbie.

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the look building

from bob dylan posted in music by tacopolis

Located at the corner of Madison Ave and 51st Street, the cake-like Look Building is named for the now-defunct magazine that the structure housed from 1937 to 1971.

The building also contained the offices of music publisher Witmark and Sons, who recorded early demos of Bob Dylan. In July 1962, Dylan recorded the first demo for the song "Blowin' in the Wind" in a 6' x 8' room at this address.

Since then, the Look building was added to the NYC landmark list in July of 2010. An album of the Witmark demos was released in 2010 called The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964.

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